Journal
Moore, M. (2020). The Alterity of the readymade: Fountain and Displaced Artists in Wartime.
Bulletin of the Auckland Museum. 21, 11-18 Retrieved from https://www.aucklandmuseum.com/discover/research/publications/bulletin/vol21
[Journal article]Authored by: Moore, M.Read Online:
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Moore, MTG. (2018). Paul Cullen—Of Building Structures.
BackStory: Journal of New Zealand Art, Design and Media History. (4), 73-92 Retrieved from https://ojs.aut.ac.nz/back-story/about
[Journal article]Authored by: Moore, M.Read Abstract:
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Moore, MT. (2011). Marcel Duchamp: "Twisting Memory For the Fun of it" or a form of retroactive interference? - Recalling the Impacts of Leaving Home on the Readymade.
Memory Connection. 1(1), 392-403 Retrieved from http://www.memoryconnection.org/wp-content/uploads/2011/12/MarcusMoore1.pdf
[Journal article]Authored by: Moore, M.Read Abstract:
![abstract icon](/massey/app_templates/_pagetemplates/pagelets/academic_outputs/images/abstract.jpg)
Moore, MT. (2009). Expatriate voyager: Concerning works by Francis Upritchard.
Landfall. (217), 129-136
[Journal article]Authored by: Moore, M.
Moore, MT. (2007). "Admit one": Presenting Adrian Reginald Hall, Auckland, 1971.
Reading Room: A Journal of Art and Culture. (1), 113-125 Retrieved from http://issuu.com/aucklandartgallery/docs/readingroom_01_2007_f47773563816b9?e=7464930/3879422
[Journal article]Authored by: Moore, M.
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Moore, MT. (2007). Attracting dust in New Zealand lost and found: Betty's waistcoat and other Duchampian traces.
Tout-fait: The Marcel Duchamp Studies Online Journal. 1, unpaged Retrieved from http://www.toutfait.com/online_journal_details.php?postid=46601
[Journal article]Authored by: Moore, M.Read Abstract:
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Book
Moore, M.(2022). The Art of Making Art History, in 'Energy Work: Reflecting on Practice Symposia'.
[Discussion Paper]Authored by: Moore, M.
Moore, M., Smith, A., & Paul Cullen Archive, .(2021).
Paul Cullen Building Structures ++. Auckland, New Zealand: split/fountain (S/F)
[Authored Book]Authored by: Moore, M.Read Abstract:
![abstract icon](/massey/app_templates/_pagetemplates/pagelets/academic_outputs/images/abstract.jpg)
Moore, M., & Doidge, M. (2021). ‘New Faith in Fakes: Out-takes from a false scenography’. In
Urban Corporis X: Unexpected – Special Issue. Anteferma Edzioni, Conegliano, Italy
[Chapter]Authored by: Moore, M.
Abraham, B., Baird, K., Bennington, D., Crawford, J., Epkenhans, M., Gough, P., . . . Watters, S. (2020).
The enduring impact of the First World War: a collection of perspectives, Bulletin of the Auckland Museum 21, 2020. G. Romano, & K. Baird (Eds.) (Vol. 21 (2020)) ,Auckland: Auckland War Mmeorial Museum Tāmaki Paenga Hira
[Scholarly edition]Authored by: Baird, K., Moore, M.Contributed to by: Baird, K.Edited by: Baird, K.Read Abstract:
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Moore, M. (2020). Looking Beynod the Ferris Wheel: ‘Search Engine for her Future Self ’. In J. Lake, & R. Martyn (Eds.)
Flatearthers: Unpleasant Truths / Comfortable Lies. (pp. 89 - 91). Pōneke, Wellington, Aotearoa, New Zealand: Flat Earthers
[Chapter]Authored by: Moore, M.
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Moore, MTG. (2018). Marcel Duchamp: The Eight Stoppages Down Under, 1967-68. In AL. Richardson (Ed.)
Here & Now 18: Besides, it is always the others who die. Fifty years since the death of Marcel Duchamp 1968-2018. (pp. 14 - 15). Perth, Western Australia: Lawrence Wilson Art Gallery, University of Western Australia
[Chapter]Authored by: Moore, M.
Moore, MTG. (2018). With all kinds of delays, Marcel Duchamp in New Zealand 1967. In E. Colless (Ed.)
Apostrophe Duchamp. (pp. 48 - 69). University of Melbourne, Australia: Art + Australia, Victorian College of the Arts (VCA)
[Chapter]Authored by: Moore, M.
Moore, MTG. (2012). Marcel Duchamp and New Zealand Art: An Introduction. In . Barton, Christina (Ed.)
Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011 (ISBN 978-1-877309-27-4). (pp. 07 - 15). : Adam Art Gallery, Victoria University Wellington, New Zealand
[Chapter]Authored by: Moore, M.
Leach, ML., Moore, MT., Sanderson, A., & Barton, C. (2007). My Blue Peninsula. (pp. 1 - 27). Wellington, NZ: Maddie Leach
[Chapter]Authored by: Moore, M.Read Abstract:
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Moore, MT.(2007).
Made by hand: 'Serving the purposes of art, even'. Wellington, NZ: Maddie Leach
[Authored Book]Authored by: Moore, M.
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Creative Work
Moore, M., & Smith, A. (2020, May 30).
Building Structures ++ (Hypothetical Model). Dunedin Public Art Gallery, Dunedin, N.Z..
[Exhibition]Authored by: Moore, M.
Moore, MTG. (2018, May 23).
Paul Cullen: Building Structures 1979. The Engine Room, Massey University Wellington.
[Exhibition]Authored by: Moore, M.
Moore, MTG. (2018, November 17).
Paul Cullen: Building Structures +. St Paul Street Gallery, Auckland University of Technology, Auckland.
[Exhibition]Authored by: Moore, M.
Moore, MTG., & Bagnall, C. (2017)
The Crazy Moth (artwork) + Being Idle Revolution (academic paper). [Exhibition] Dunedin School of Art Public Gallery, Dunedin, New Zealand
[Artwork]Authored by: Bagnall, C., Moore, M.Read Abstract:
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Bagnall, CJ., & Moore, MTG. (2015)
Butterfly Blue in association with academic paper Towards the Butterfly Machine.. [Exhibition] [Fabric, embroidery, mechanical and electrical components, digital film loop transferred to DVD]. In Virtually-Pop, curated by Adam Geczy and Julieanna Preston. Popular Culture of Australia and New Zealand Symposium. Te Ara Hihiko Gallery, Massey University Wellington, New Zealand. 29 Jun - 01 Jul 2015
[Artwork]Authored by: Bagnall, C., Moore, M.Read Abstract:
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Moore, M., & Bagnall, C. (2015)
Toward Butterfly Machines. [Exhibition] Virtually Pop (exhibition + catalogue) and academic paper aligned with Popular Culture Of Australia and New Zealand Conference, Te Arahihiko, Massey University, Wellington, New Zealand
[Artwork]Authored by: Bagnall, C., Moore, M.Read Abstract:
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Moore, MTG. (2012).
Giovanni Intra, Golden Evenings (1994), a 2012 reconstruction by Marcus Moore [Artefact]. : Exhibited in 'Peripheral Relations: Marcel Duchamp & NZ Art 1960-2011' at the Adam Art Gallery, Victoria University Wellington, New Zealand
[Artefact]Authored by: Moore, M.Edited by: Moore, M.
Moore, MTG. (2012).
Malcolm Ross, Untitled [Maltreated Furniture: Coat Hooks] (1971), a 2012 reconstruction by Marcus Moore [Artefact]. : Permanent collection of the Auckland Art Gallery Toi o Tamaki (accessioned 2013). First exhibited: 'Peripheral Relations: Marcel Duchamp and New Zealand Art 1960 - 2011', Adam Art Gallery, Victoria University of Wellington, New Zealand. 28 Jul - 07 Oct 2012
[Artefact]Authored by: Moore, M.Edited by: Moore, M.Read Abstract:
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Moore, MTG. (2012, July 28).
Peripheral Relations: Marcel Duchamp and New Zealand Art 1960 - 2011. [Including works by Marcel Duchamp (French/U.S.), Jim Allen, Billy Apple (U.K./N.Z.), Bruce Barber (N.Z./CAN.), g. bridle, L. Budd, Bill Culbert (N.Z./U.K.), Paul Cullen, Julian Dashper, Andrew Drummond, et al, Merit Groining, Adrian Hall (U.K./U.S./N.Z.), Terrence Handscomb, Christine Hellyar, Giovanni Intra, Betty Isaacs (N.Z./U.S.), Julius Isaacs (U.S.), Darcy Lange, Maddie Leach, Len Lye, Kieran Lyons (U.K.), Daniel Malone, Julia Morison, Michael Parekowhai, Roger Peters, Malcolm Ross, Marie Shannon, Michael Stevenson, Boyd Webb (N.Z./U.K.)]. Adam Art Gallery, Victoria University of Wellington, New Zealand. 28 Jul - 07 Oct 2012.
[Exhibition]Authored by: Moore, M.Read Abstract:
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Moore, MT. (2006)
'And the Waterfalls'. Contemporary Collections, Christchurch Art Gallery, 2006.. [Exhibition] Christchurch Art Gallery
[Artwork]Authored by: Moore, M.
Moore, MT. (2001).
Some Lies, I'm Not Too Sure How to respond to that, Evan. 200x800x250, bookcase, thermos flasks, books, mech.&elect parts,2001. [Artefact].
[Artefact]Authored by: Moore, M.
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Conference
Moore, M. (2019, March). A Guest + A Host = A Ghost--in search of a Candy by Marcel Duchamp/Rrose Selavy. Presented at
Conceptual Writing Symposium. Victoria University of Wellington, N.Z..
[Conference Oral Presentation]Authored by: Moore, M.
Moore, M.
On the Peripheralities of Marcel Duchamp. . University of Western Australia, Perth
[Conference Paper]Authored by: Moore, M.
Moore, M., & Bagnall, C.(2017).
On Being Idle Revolution. . Dunedin School of Art, Dunedin
[Conference Paper]Authored by: Bagnall, C., Moore, M.
Moore, MTG.
When made by hand. . Wellington, New Zealand
[Conference Paper]Authored by: Moore, M.Read Abstract:
![abstract icon](/massey/app_templates/_pagetemplates/pagelets/academic_outputs/images/abstract.jpg)
Moore, MTG. (2017, April). Of 1917 time and space: appreciating Marcel Duchamp's Fountain beyond ready-made. Presented at
The Myriad Faces of War: 1917 and its legacy symposium. Panel: 'Challenging cultural forms of expression'. Panel Chair: Assoc Prof. Galina Rylkova (University of Florida). Wellington, New Zealand: Museum of New Zealand Te Papa Tongarewa, 25 - 28 April, 2017.
[Conference Oral Presentation]Authored by: Moore, M.
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Moore, M.(2013). Post-peripheral relations (invited keynote speaker).
[Conference Other]Authored by: Moore, M.
Moore, MTG. (2013, February). 'From the periphery: New forms of ready-made', on the panel Cultural Negotiations of the Ready-made. Presented at
101st College Art Association Annual Conference. The Hotel Hilton, New York. NY, United States.
[Conference Oral Presentation]Authored by: Moore, M.
Moore, MT. (2011). Marcel Duchamp and twisting memory for the 'fun of it'. , International Contained Memory Conference
[Conference Abstract]Authored by: Moore, M.
Moore, MT. (2010). Marcel Duchamp and Twisting Memory For the 'Fun of It'. , Contained Memory
[Conference Abstract]Authored by: Moore, M.
Moore, MT.(2009).
Terms of engagement. . Wellington, NZ
[Conference Paper]Authored by: Moore, M.
Moore, MT.
Pseudo-anthropology, fetish, fake and ready-made. . University of Auckland
[Conference Paper]Authored by: Moore, M.
Moore, MT. (2008, December). Pseudo-anthropology, fetish, fake and ready-made. Presented at
Joint Conference of the Association of Social Anthropologists (ASA), Association of Social Anthropologists of Aotearoa/New Zealand (ASAANZ) and Australian Anthropological Society (AAS). University of Auckland, NZ.
[Conference Oral Presentation]Authored by: Moore, M.
Moore, MT. (2008). Pseudo-anthropology, fetish, fake and ready-made. In
Joint Conference of the Association of Social Anthropologists of UK and Commonwealth (ASA), Association of Social Anthropologists of Aotearoa/New Zealand (ASAANZ) and Australian Anthropological Society (AAS)(pp. 30). , Joint Conference of the Association of Social Anthropologists of UK and Commonwealth (ASA), Association of Social Anthropologists of Aotearoa/New Zealand (ASAANZ) and Australian Anthropological Society (AAS). Association of Social Anthropologists.: Association of Social Anthropologists
[Conference Abstract]Authored by: Moore, M.
Moore, MT.(2006, August 11). 'The Case of Adrian Hall and Plasma Cast Iron Foam Company, 1971'. , Theorising Art Practice / Writing Art History
[Conference Abstract]Authored by: Moore, M.
Moore, MT.Terms of Engagement.
[Conference Oral Presentation]Authored by: Moore, M.
Moore, MT.Terms of Engagement. , One Day Sculpture
[Conference Abstract]Authored by: Moore, M.
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Other
Moore, MTG. (2016).
The End to That Eye. Enjoy Public Art Gallery (online)
[Other]Authored by: Moore, M.
Moore, MTG. (2013). On Warhol, Critical Forum, Massey University.
[Oral Presentation]Authored by: Moore, M.
Moore, MTG. (2013, March). What is the ready-made? The Legacy of Duchamp and the Readymade on Andy Warhol. Invited speaker for Warhol Immortal: Secondary Schools' Education Forum. Presented at Wellington: New Zealand, Museum of New Zealand Te Papa Tongarewa, 11 Mar 2017.
[Oral Presentation]Authored by: Moore, M.
Moore, MT. (2012). Studio, critical forum.
[Oral Presentation]Authored by: Moore, M.
Moore, M. (2012).
Peripheral relations: Marcel Duchamp and New Zealand Art 1967 - 2011. Adam Art Gallery, Victoria University
[Other]Authored by: Moore, M.Read Abstract:
![abstract icon](/massey/app_templates/_pagetemplates/pagelets/academic_outputs/images/abstract.jpg)
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Moore, MT. (2012). Curator's floor talk, Peripheral Relations: Marcel Duchamp and New Zealand Art, Adam Art Gallery, Victoria University of Wellington.. : Adam Art Gallery, Victoria University, Wellington, New Zealand.
[Oral Presentation]Authored by: Moore, M.
Moore, MTG. (2012, August). The box in the museum. Presented at In 'About Duchamp: A series of roundtable discussions: Three conversations focused on aspects of Duchamp's reception in New Zealand'. Adam Art Gallery, Victoria University of Wellington, New Zealand.
[Oral Presentation]Authored by: Moore, M.Read Abstract:
![abstract icon](/massey/app_templates/_pagetemplates/pagelets/academic_outputs/images/abstract.jpg)
Moore, MTG. (2012, September). Fountain down under. Presented at In 'About Duchamp: A series of round-table discussions: Three conversations focused on aspects of Duchamp's reception in New Zealand. Adam Art Gallery, Victoria University of Wellington, New Zealand.
[Oral Presentation]Authored by: Moore, M.Read Abstract:
![abstract icon](/massey/app_templates/_pagetemplates/pagelets/academic_outputs/images/abstract.jpg)
Moore, MT. (2011, June). Behind Closed Doors: g. bridle.
[Oral Presentation]Authored by: Moore, M.Read Abstract:
![abstract icon](/massey/app_templates/_pagetemplates/pagelets/academic_outputs/images/abstract.jpg)
Moore, MT. (2011, June). On g. bridle: The Retreat. Presented at Victoria University of Wellington. : Adam Art Gallery.
[Oral Presentation]Authored by: Moore, M.
Moore, MT. (2011, October). Using the Periphery Wisely: Some New Thoughts on Marcel Duchamp. Presented at Art History, Victoria University of Wellington.
[Oral Presentation]Authored by: Moore, M.
Moore, MT. (2007).
'Museums Get the Best Gifts'. Material World. (New York and London: New York University and University College London). Libraray of Congress Catalogue, ISSN: 2158-5660. : Online
[Internet publication]Authored by: Moore, M.
Moore, MT. (2007).
'The Matter of g. bridle.' Moore was commissioned by curator Sarah Farrow and the artist to produce new scholarly essay for a Wellingon City Gallery imprint publication (edition of 500 copies) for the solo exhibition of g. bridle at the Michael Hirshfeld Gallery, Wellington City Gallery, 2007.. Michael Hirschfeld Gallery
[Other]Authored by: Moore, M.Read Abstract:
![abstract icon](/massey/app_templates/_pagetemplates/pagelets/academic_outputs/images/abstract.jpg)
Moore, MT. (2007). Marcel Duchamp: The readymade and location. Presented at Massey University, Wellington, NZ.
[Oral Presentation]Authored by: Moore, M.
Cross, DA., & Moore, MT. (2007, May). Discussion on HOLD. In
HOLD: Closing Event. Presented at Massey University, Wellington, NZ.
[Oral Presentation]Authored by: Moore, M.
Moore, MT. (2006).
Ronnie van Hout: 'Shift'. (pp. 100 - 101). Art & Industry Biennial Trust
[Other]Authored by: Moore, M.
Moore, MT. (2006).
Choi Jeong-Hwa: 'Happy Happy'. (pp. 60 - 61). Art & Industry Biennial Trust
[Other]Authored by: Moore, M.
Moore, MT.Take a kitchen stool: Duchamp and Post-Object Art. School of Visual and Material Culture Seminar Series, Massey University..
[Oral Presentation]Authored by: Moore, M.
Moore, MT.Art and culture: Curator's interview, Peripheral Relations: Marcel Duchamp and New Zealand Art. : Radio New Zealand.
[Oral Presentation]Authored by: Moore, M.
Moore, MT.2009, respondent for the 2009 Peter Turner Memorial Lecture, International speaker Professor Anne Marsh Monash University..
[Oral Presentation]Authored by: Moore, M.